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奇妙的京剧之四

作者:包玥

很多人第一次看京剧,都是最喜欢他华丽缤纷,色彩斑斓的服装。确实,这是它的一大亮点。

京剧服装是一种具有高度符号性的辅助表演的工具。他并没有季节、朝代等方面的特殊含义,而是更多的赋予了它在代表人物等级、所处环境、自身特征等方面的符号性。

比如,帝王和高级官僚穿着的官服叫做蟒,只要是在舞台上看到穿“蟒”的人物,就一定是地位身份无比尊贵的人物。而无所谓他是汉朝的皇帝,还是明朝的皇帝。

再比如,有一种戴在头上的装饰,叫做“风帽”,类似于裹在头上的围巾。只要带这种服饰的人,只有两种可能,一种是表示它正在赶路,另一种则是表示他已经生病了。

再如,京剧剧目里有很多人物头上插有长长的雉鸡尾毛做的翎子。这样的人物也是有共性的,或者是英俊潇洒,风华正茂的青年武将,或者是少数民族人物,或者是精灵和神怪。当然这是要结合具体剧情来分析的。

类似的例子还有很多,掌握了服装的符号性含义,有助于在观看剧目时快速的理解人物身份和处境。


想更多了解包玥或阅读他的文章,请访问包玥个人博客: http://shechuan.bokee.com/

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